I’ve often said I love being involved in theater because none of us are really in competition with each other. I mean sure, we’d all love to have one of our shows called the best someone has ever seen but that isn’t going to happen to most of us.
The truth is, there is enough audience to go around and the only people any of us compete with is ourselves. Josh Carson writes amazing comedy. Nobody compares his work to the Guthrie. They compare his work to the rest of his work. Attendance at his shows has never been driven by how much better or worse his show is than mine (his shows are always better and no that is not false modesty).
Yes, actors are frequently in competition to get parts. It’s probably one of the reasons I don’t act all that much.
The shows in which we all perform, however, stand or fall on their own merit. We can all enjoy our own success together.
I mean hell, that’s what Fringe is all about.
I performed in two of my own shows on Wednesday and because of that, I ended up at shows that were in close proximity to my own. Sometimes, you discover something wonderful when you do that. Sometimes you don’t.
I’ve had a show in the Fringe for eight straight years now. The result is I’m getting to know a lot of other producers and I want to see and support all of their work.
And it isn’t possible. I’m going to miss some shows. Nobody can see every show at the Fringe. It is literally impossible. Add to that the fact I’m in two shows and I lose ten possible time slots. Also, I can’t go to a show in every time slot. It just gets out of hand.
I could fill my Fringe with shows featuring friends and acquaintances of mine. If I did that, I would miss out on great shows featuring work by people I don’t know.
So we all pick and choose. And sometimes we don’t go to a show by someone we really admire because we just couldn’t make it happen.
And because we are all human, we feel bad about it.
I see more theater during Fringe than I do the rest of the year. And I still miss things I wanted to see.
So I try to avoid spending too much time feeling guilty for missing work by artists I admire. I typically fail.
As a producer I hate/love Fringe audience reviews. You need them to help your show do well. Sometimes. You want to read constructive criticism about the show. Sometimes.
I imagine most artists are like me. Every time you get a great review, you are super pumped. Every time someone takes the time to tell you they enjoyed your show, you get this great feeling. For some stupid reason, all of that goes away the next time someone writes a review that is the least bit critical of your effort.
It isn’t that you feel like a failure so much as you wonder if every other positive thing anyone said was at all true. You assume it wasn’t and that all those people were just being nice to you.
Somehow, you have to power past those feelings of self-doubt and take from the critiques what is useful. You have to remind yourself that you can’t make everyone happy. You have to remind yourself that sometimes what someone perceives as shortcomings of the show were intentional choices and they aren’t critiquing you. They are critiquing your choices.
It takes a tough skin sometimes. But Fringe is one of the few theatrical endeavors where your feedback is immediate and sometimes harsh. You have to be ready for it.
Before I write my reviews, I’m going to spend a moment complaining about Fringe Central. I’m not going to spend a lot of time on Grumpy’s in spite of the fact that last night was, apparently, death metal night and the entire bar was filled with music so loud, it forced every Fringe customer out to the patio.
It isn’t that I don’t particularly enjoy Death Metal (although I don’t). It’s just that loud music is the bane of Fringe Central.
Loud music is one of those things it seems almost no Fringe central venue understands. These are actors. A whole bunch of them have to perform tomorrow. Making them shout to be heard is not helping.
I actually love going to Fringe Central because for one ten day period, you have a huge subset of the Twin Cities Theater community just hanging around with each other. It is the crucible in which new ideas are forged. Some of them are even good!
But it is also a place where getting something to eat is next to impossible because there are never enough servers. And a place where the music is too loud. And there is never enough space.
I keep hoping we’ll find a place that gets it. On Friday night, I honestly thought that place might be Grumpy’s.
Then I walked into screaming Death Metal on Sunday and found yet another place that, sadly, doesn’t get it.
So on to my reviews for Saturday!
I will note before I write my reviews for the day that I have several friends involved in the productions of Facebook Lite and Waiting for Gygax.
I will note also that I track every show I either see or perform in as part of my own record keeping. So yeah, I’m going to spend a little time talking about both of my shows. You can skip that part if you like.
When I first learned of this show, my concern was the premise seemed to allow for little more than a five minute sketch. As I think upon the show, that continues to be the problem. The premise was laid out in the first five minutes and then it was supported for the rest of the show. The joke grew stale and with a near lack of any kind of narrative arc, I lost interest. I kept wondering, why would anyone use this? Every customer was annoyed at the pointless censorship but they didn’t stop using the tool. How did the operators feel about the job they were doing? Did some of them hate it? A few of the characters were recurring characters but they didn’t change or grow so being present more than once served no narrative purpose. There were concepts to explore that would have given this show direction and weight but they were never addressed.
This is a first time Fringe producer and I’ve seen her write really funny work. Writing a full show is not the same thing as writing a sketch or a joke. I expect she will learn from what she did here and do something much better next time.
I was concerned about the premise for this show as well. Mashing up Waiting for Godot with D & D is clever enough, but was it going to work as a fifty minute Fringe show? The answer is yes because the co-authors found a way to tell a story using the premise as a framework and the actors delivered. I think they were smart to rely on the Waiting for Godot source material just enough to establish the premise without being completely beholden to it. The show is mostly not laugh out loud funny but it isn’t supposed to be. Overall, I found the show really entertaining and I think it over delivered on the promise of its concept.
The show was easily one of the best two shows I saw today. I think all of the actors did a great job finding the nuance in their characters and if there was a standout, it was Commarrah Bashar. She had the best part, in my opinion, but she also nailed it.
Because I had a performance of Katie Versus the Devils at 5:30, I needed to be close to my theater. With several shows that hadn’t opened yet, I opted to go see Get Hooked: A Pirate Musical because why not? That’s what Fringe is for! Their show page was concerning because it had no cast and crew information or additional info. I always worry about Producers who aren’t going to do even that much work. When I sat down, I saw they had a live orchestra/band and it sounded pretty good. Maybe the show would impress.
It didn’t, though.
Now I have to be fair that this was a show produced by high school kids. Many of them exhibited talent and I would expect to see them improve should they continue to produce Fringe shows. So I balance the fact I didn’t like this show with the fact that I probably couldn’t have produced something this polished when I was sixteen.
Still, I found the music was pretty mediocre and set in a range that the kids couldn’t sing. The story was kind of fragmented and the talent of the kids was all over the map.
The show wasn’t good. But it was promising. I hope these kids keep doing stuff.
Here’s where I get to express frustration over an audience review.
See, as a writer who sometimes acts, I’m frequently feel like I’m out of my depth in this show. So when an audience member gives a three star review because the show is advertised as a comedy and it is really more of a drama, I can understand their frustration.
At the same time – so what? If you expected a comedy and you got a drama, tell us how we did. Don’t tell us you believe the producer mis-identified the show. That isn’t a reason to dock a show a couple of stars.
As an actor, I can only get better if I know what I’m doing wrong. Same thing with being a writer. A review that focuses on something over which I have no control is frustrating.
The audience can write any review they like. I get that. I still get frustrated when someone docks an entire production because of somewhat unrelated criteria.
I kind of hate Josh Carson on principle. He writes more jokes into ten minutes than I write in an entire year.
Correction, he writes more funny jokes into ten minutes than I write in an entire year.
He’s also an asshole because when he teams up with Andy Kraft, his work gets even funnier. As if he wasn’t lapping the rest of us already.
Andy completely steals this show from everyone else on stage with nothing more than a couple of glass jars and his crossed eyes.
If I have one critique for the show, it was that the kid playing Charlie was frequently hard to hear. He needs to work on his projection.
The rest of the show was great and fuck you, Josh.
We went to this Bollywood dance show because our first choice was sold out. I’ve been greatly entertained by some other Bollywood shows at Fringe but I don’t believe they were by the same company.
This show claimed to be about passion but it lacked any kind of passion. The dances were…OK. The dancers were inexperienced, which is fine, but there were no experienced dancers to give the dances life.
I was also concerned that in a show filled with people of color, someone opted to cast almost all white actors in the leads. One of them was supposed to be bi-racial and she was most definitely not. I guess I just feel like there are enough actors and dancers of color in the Twin Cities, they could have found one.
Overall, the show was, unfortunately, kind of limp and uninteresting.
We had a great audience last night. They came to laugh and it made everything easier. The actors felt much looser than they felt on opening night. They felt more willing to play with the audience, which is exactly what I wanted them to do when I wrote the play.
When you are writing comedy, I can’t stress enough how important the audience is to the show. If they are engaged and laughing, your show can seem great. If they aren’t, your show can really limp along.
I don’t blame the audience for being good or bad. That’s on the writer and the performers to deliver the best show no matter what.
But I can’t deny that a good audience helps everyone on stage do their jobs. Last night we had a great audience. Thanks to all of them.
As has been my tradition, I use my blog page to write reviews of the Fringe shows I’ve seen. I don’t write audience reviews on the Fringe page because I’m a producer myself and I understand the hard work that goes into making a show happen. I don’t want to torpedo someone’s work simply because I didn’t like it.
You will find no star ratings. You will, hopefully, find some honest opinions about shows.
But I’ve got to warn you, most of these shows feature work by at least one friend of mine. So that might make me more harsh or more friendly. Depending on the Friend.
Look – this sort of thing just doesn’t happen to guys. I keep bringing it up but that is only because there is some subset of the human race that will respond to this story by saying “what’s the big deal?”
The big deal is she posted a fun little picture and a bunch of people harassed her because she’s a girl and they don’t think girls should be working in comics. That’s the crux of it.
There are guys out there who think women ruin comics simply because they are involved. It’s like they think comics are the one geek medium that is reserved just for them. What with Star Wars being completely overrun with women, they really need something in this crazy world that isn’t covered in girl cooties.
So they decide to take it out on a group of women who were having lunch. Because they worked in the wrong industry.
And no, this isn’t all guys. This isn’t even most guys. This is some tiny subset of guys who feel they are losing power because the comic industry is hiring women. Not a lot of women. Not enough women. But more than zero.
If we pretend that this subset of guys isn’t a problem, though, we don’t get it. Because if a bunch of male professionals in comics posted selfies, nobody would give a shit.
It shouldn’t happen to anyone. The fact that it happens only to women should piss us off. We shouldn’t be talking about how few people are doing this. We should be talking about how nobody should be doing this at all!
Post racial society, huh?
This report, which the church very pointedly doesn’t deny in it’s vehement tirade against the news organization that broke the story, suggests some troubling things.
Now I know we could all simply dismiss this entire mess because people aren’t that awful but history tells us that, yes, people can really be that awful. There is currently a person that awful working in the white house. And our President regularly listens to what Mr. Bannon has to say.
America is, we are told, the greatest country in the history of countries (sure we are) so we ought to be super upset about this entire problem. However, with the possible exception of Vatican City, we are the most smugly Christian country in the history of countries and that means any report like this must be viewed with suspicion because Christians just don’t do that sort of thing!
And to be fair, most Christians don’t do that sort of thing. We should really get upset, though, when some self professed Christians actually do that sort of thing.
The response so far seems tepid. It isn’t the sort of “what the FUCK” kind of response you like to see when a church is accused of enslaving people. I mean the health care vote is a big deal and it affects all Americans so I understand why we aren’t quite as concerned about a few Brazilians.
Once we get this health care thing sorted out, though, can we spare a few thoughts for people tricked into slavery?
Oh fuck. We’re never going to be done sorting out this health care thing, are we?