I’ve done the Fringe for a few years now and one thing I can say for sure: my name alone doesn’t get butts in the seats. Audiences recognize the names of a few production companies (Transatlantic Love Affair, Four Humors) but it seems to me that at least part of what brings audiences back to the same artists year after year is the recognition of the personality.
Joseph Scrimshaw was a great example of a performer whose name drew people to his productions. It was both his writing and on stage charisma that keep them coming back.
In most cases, I don’t think audiences notice who wrote or directed a show at Fringe.
They see my name and they don’t think “hey – I remember the other shows that guy wrote.” They think: “who’s that guy?”
It’s my own fault, of course, for writing shows that don’t feature a part for me. And for being more of a character actor than a lead.
It can be frustrating, at times, to feel like you have to win your audience back with each successive year. Yet, that is what most fringe producers do. Those who don’t have to do that aren’t lucky. They are talented and consistent.
And I have to admit I’m just a little bit jealous.
I watched four shows on Saturday. One of them was mine so let’s talk about the other three, shall we?